Oil On Canvas, Real Flavor of Old Masters

All Dieric Bouts 's Paintings
The Painting Names Are Sorted From A to Z

ID Image  Painting (From A to Z)       Details 
52094  
Altarpiece of the Holy Sacrament, Dieric Bouts
  		 Altarpiece of the Holy Sacrament   1464-67 Oil on wood, 185 x 294 cm
52095  
Altarpiece of the Holy Sacrament, Dieric Bouts
  		 Altarpiece of the Holy Sacrament   1464-67 Oil on wood, 185 x 294 cm
84277  
Christ Crowned with Thorns, Dieric Bouts
  		 Christ Crowned with Thorns   . 1470(1470) Medium Oil on egg tempera Dimensions 37.1 x 43.8 cm (14.6 x 17.2 in) cyf
10024  
Christ in the House of Simon, Dieric Bouts
  		 Christ in the House of Simon   1440s Oil on wood,40,5x61cm Staatliche Museen,Berlin
52096  
Christ in the House of Simon, Dieric Bouts
  		 Christ in the House of Simon   1440s Oil on wood, 40,5 x 61 cm
74237  
Christ in the House of Simon, Dieric Bouts
  		 Christ in the House of Simon   Date 1440-1450 Current location Staatliche Museen Deutsch: Berlin, Deutschland cyf
10031  
Ecce agnus Dei, Dieric Bouts
  		 Ecce agnus Dei   1462-64 Wood 53,8 x 41,2 cm Alte Pinakothek, Munich
83272  
Head of Christ, Dieric Bouts
  		 Head of Christ   1464(1464) (1463-1465) Medium Oil on panel Dimensions 36 x 27 cm (14.2 x 10.6 in) cyf
87618  
Hell, Dieric Bouts
  		 Hell   Date 1450(1450) Medium Oil on wood Dimensions Height: 115 cm (45.3 in). Width: 69.5 cm (27.4 in). cjr
45696  
Installation of the hl. Communion, Dieric Bouts
  		 Installation of the hl. Communion   mk186 1464-67 Lowen, Sint-Pieterskerk
69130  
kristushuvud, Dieric Bouts
  		 kristushuvud   1468 olja på trä 22.5x19 se
90891  
Lamentation of Christ, Dieric Bouts
  		 Lamentation of Christ   between 1480(1480) and 1510(1510) Medium oil on panel Dimensions 72.2 x 102 cm (28.4 x 40.2 in) cyf
33434  
Last Supper, Dieric Bouts
  		 Last Supper   mk86 1464-1467 Tempera on wood 180x150cm Louvain,Sankt Peter
10038  
Last Supper central section of an alterpiece, Dieric Bouts
  		 Last Supper central section of an alterpiece   1464 Tempera on wood Sankt Peter, Louvain, Belgium
30426  
Last Supper Triptych, Dieric Bouts
  		 Last Supper Triptych   mk68 Oil on wood,central panel 6 3/4x4 Louvain,Church of Saint Peter
53676  
Mansportratt, Dieric Bouts
  		 Mansportratt   mk234 1426 32x20cm
52098  
Martyrdom of St Erasmus, Dieric Bouts
  		 Martyrdom of St Erasmus   Oil on wood
91294  
Martyrdom of St Erasmus, Dieric Bouts
  		 Martyrdom of St Erasmus   1458(1458) Medium oil on panel cyf
91295  
Martyrdom of St Erasmus, Dieric Bouts
  		 Martyrdom of St Erasmus   1458(1458) Medium oil on panel cyf
91296  
Martyrdom of St Erasmus, Dieric Bouts
  		 Martyrdom of St Erasmus   1458(1458) Medium oil on panel cyf
91297  
Martyrdom of St Erasmus, Dieric Bouts
  		 Martyrdom of St Erasmus   1458(1458) Medium oil on panel cyf
199  
Musee Royal des Beaux Arts, Antwerp, Dieric Bouts
  		 Musee Royal des Beaux Arts, Antwerp   1450 Musee des Beaux Arts, Lille
45461  
Museem national Christ in the house the Pharisaers Simon, Dieric Bouts
  		 Museem national Christ in the house the Pharisaers Simon   mk186 around 1460 Berlin foundation. Gemaldegalerie
10028  
Paradise, Dieric Bouts
  		 Paradise   1450 Oil on wood, 115 x 69,5 cm Mus??e des Beaux-Arts,Lille
87620  
Paradise, Dieric Bouts
  		 Paradise   Date 1450(1450) Medium Oil on wood Dimensions Height: 115 cm (45.3 in). Width: 69.5 cm (27.4 in). cjr
10039  
Pearl of Brabant, Dieric Bouts
  		 Pearl of Brabant   1470 Oil on wood 61 x 113 cm Alte Pinakothek, Munich
202  
Portrait of a Man, Dieric Bouts
  		 Portrait of a Man   1462 The National Gallery, London
42841  
Portrait of a Man, Dieric Bouts
  		 Portrait of a Man   mk170 dated 1462 Oil on oak 31.6x20.5cm
84276  
Portrait of a Man, Dieric Bouts
  		 Portrait of a Man   1462(1462) Medium Oil and egg tempera on wood Dimensions 20.5 x 31.6 cm (8.1 x 12.4 in) cyf
52103  
Prophet Elijah in the Desert, Dieric Bouts
  		 Prophet Elijah in the Desert   1464-68 Oil on panel, 88 x 71 cm
10027  
Resurrection, Dieric Bouts
  		 Resurrection   Tempera on canvas 89 x 72,5cm Norton Simon Museum of Art, Pasadena
10042  
Saint Christopher, Dieric Bouts
  		 Saint Christopher   1470 Oil on wood 62,6 x 27,5 cm Alte Pinakothek Munich
26706  
Saint Luke Drawing the Virgin and Child, Dieric Bouts
  		 Saint Luke Drawing the Virgin and Child   mk52 c.1455 Oil on canvas transferred from wood 109x86cm
10040  
St John the Baptist, Dieric Bouts
  		 St John the Baptist   1470Oil on wood 62,6 x 27,5 cm Alte Pinakothek, Munich
78913  
Studio of Dieric Bouts, Dieric Bouts
  		 Studio of Dieric Bouts   Studio of Dieric Bouts (the elder) (b. ca. 1415, Haarlem, d. 1475, Leuven) Saint Luke painting the Virgin Penrhyn Castle, Bangor, North Wales Oil and tempera transferred from panel to canvas in 1899 cjr
10041  
The Adoration of the Magi, Dieric Bouts
  		 The Adoration of the Magi   1470 Oil on ood, 62,6 x 27,5 cm Alte Pinakothek Munich
10036  
The Adoration of Angels, Dieric Bouts
  		 The Adoration of Angels   c. 1445. Oil on panel. Museo del Prado Madrid
10037  
The Adoration of Magi., Dieric Bouts
  		 The Adoration of Magi.   c. 1445. Oil on panel. Museo del Prado Madrid
87591  
The Adoration of the Magi, Dieric Bouts
  		 The Adoration of the Magi   Date c. 1445(1445) Medium Oil on wood Dimensions Height: 80 cm (31.5 in). Width: 56 cm (22 in). cjr
87593  
The Annunciation, Dieric Bouts
  		 The Annunciation   Date c. 1445(1445) Medium Oil on wood Dimensions Height: 80 cm (31.5 in). Width: 56 cm (22 in). cjr
28145  
The Annunciation,The Visitation,THe Adoration of theAngels,The Adoration of the Magi, Dieric Bouts
  		 The Annunciation,The Visitation,THe Adoration of theAngels,The Adoration of the Magi   mk61 Oil on panel. 80x56cm 80x105cm
28146  
The Annunciation,The Visitation,THe Adoration of theAngels,The Adoration of the Magi, Dieric Bouts
  		 The Annunciation,The Visitation,THe Adoration of theAngels,The Adoration of the Magi   mk61 Oil on panel. 80x56cm 80x105cm
10025  
The Capture of Christ, Dieric Bouts
  		 The Capture of Christ   Oil on wood105 x 68cm Alte Pinakothek,Munich
88340  
The Capture of Christ, Dieric Bouts
  		 The Capture of Christ   second half of 15th century Medium Oil on wood cyf
33433  
The Empress's Ordeal by Fire in front of Emperor Otto III, Dieric Bouts
  		 The Empress's Ordeal by Fire in front of Emperor Otto III   mk86 c.1470-1475 Tempera on wood 324x182cm
45499  
The encounter of Abraham and Melchisedek, Dieric Bouts
  		 The encounter of Abraham and Melchisedek   mk186 1464-67 Lowen, Sint-Pieterskerk
10026  
The Entombment, Dieric Bouts
  		 The Entombment   1450Distemper on flax canvas, 90,2 x 74,3 cm National Gallery, London
52100  
The Execution of the Innocent Count, Dieric Bouts
  		 The Execution of the Innocent Count   c. 1460 Oil on wood, 324 x 182 cm
89842  
The Execution of the Innocent Count, Dieric Bouts
  		 The Execution of the Innocent Count   1460(1460) Medium oil on panel cyf
89843  
The Execution of the Innocent Count, Dieric Bouts
  		 The Execution of the Innocent Count   1460(1460) Medium oil on panel cyf
51760  
The Fall of the Danned, Dieric Bouts
  		 The Fall of the Danned   nn09 c.1450 Oil on wood 115x69.5cm
52102  
The Feast of the Passover, Dieric Bouts
  		 The Feast of the Passover   1464-67 Oil on wood
52101  
The Gathering of the Manna, Dieric Bouts
  		 The Gathering of the Manna   1464-67 Oil on wood
10032  
The Lamentation of Christ, Dieric Bouts
  		 The Lamentation of Christ   c. 1460 Oil on wood, 69 x 49 cm Louvre
201  
The Last Supper, Dieric Bouts
  		 The Last Supper   1467 StPierre at Louvain, Belgium
40219  
The Last Supper, Dieric Bouts
  		 The Last Supper   mk156 c.1467 Oil on panel 180x150cm
203  
The Martyrdom of St.Erasmus, Dieric Bouts
  		 The Martyrdom of St.Erasmus  
52099  
The Meeting of Abraham and Melchizedek, Dieric Bouts
  		 The Meeting of Abraham and Melchizedek   1464-67 Oil on wood
40224  
The Ordeal by Fire, Dieric Bouts
  		 The Ordeal by Fire   mk156 1470-1475 Oil on panel Musee Royaux des Beaux-Arts. Brussels
89838  
The Ordeal by Fire, Dieric Bouts
  		 The Ordeal by Fire   1460(1460) Medium oil on panel cyf
89839  
The Ordeal by Fire, Dieric Bouts
  		 The Ordeal by Fire   1460(1460) Medium oil on panel cyf
89840  
The Ordeal by Fire, Dieric Bouts
  		 The Ordeal by Fire   1460(1460) Medium oil on panel cyf
89841  
The Ordeal by Fire, Dieric Bouts
  		 The Ordeal by Fire   1460(1460) Medium oil on panel cyf
198  
The Virgin and Child, Dieric Bouts
  		 The Virgin and Child   Musee Royal des Beaux Arts, Antwerp
42850  
The Virgin and Child Enthroned with Saints Peter and Paul, Dieric Bouts
  		 The Virgin and Child Enthroned with Saints Peter and Paul   mk170 Circa 1465 oil on oak 68.8x51.6cm
10033  
The Virgin and Child Panel, Dieric Bouts
  		 The Virgin and Child Panel   29,5 x 20,5 cm Koninklijk Museum voor Schone Kunsten Antwerp
42849  
The virgin Nursing the Child, Dieric Bouts
  		 The virgin Nursing the Child   mk170 circa 1460 oil and egg tempera on oak 38.8x29cm
87592  
The Visitation, Dieric Bouts
  		 The Visitation   Date c. 1445(1445) Medium Oil on wood Dimensions Height: 80 cm (31.5 in). Width: 56 cm (22 in). cjr
10035  
The Visitation., Dieric Bouts
  		 The Visitation.   1445.Oil on panel Museo del Prado Madrid
200  
The Way to Paradise, Dieric Bouts
  		 The Way to Paradise   1450 Musee des Beaux Arts, Lille
10029  
The Way to Paradise, Dieric Bouts
  		 The Way to Paradise  
10030  
The Way to Paradise, Dieric Bouts
  		 The Way to Paradise  
51759  
The way to Paradise, Dieric Bouts
  		 The way to Paradise   nn09 c.1450 Oil on wood 115x69.5cm
89813  
The Way to Paradise, Dieric Bouts
  		 The Way to Paradise   1450(1450) Medium oil on panel cyf
52097  
Triptych of the Virgin, Dieric Bouts
  		 Triptych of the Virgin   c. 1445 Oil on wood
197  
Virgin and Child, Dieric Bouts
  		 Virgin and Child   Metropolitan Museum of Art, New York
10034  
Virgin and Child, Dieric Bouts
  		 Virgin and Child   Oil on wood, 21,6 x 16,5 cm Metropolitan Museum of Art,NY
82206  
Virgin and Child, Dieric Bouts
  		 Virgin and Child   Date second half of 15th century Medium Oil on wood Dimensions Height: 21.6 cm (8.5 in). Width: 16.5 cm (6.5 in). cjr
96889  
Virgin and Child, Dieric Bouts
  		 Virgin and Child   second half of 15th century Medium oil on panel cyf
97583  
Virgin and Child, Dieric Bouts
  		 Virgin and Child   between 1465(1465) and 1470(1470) Medium oil on panel cyf
97831  
Virgin and Child, Dieric Bouts
  		 Virgin and Child   1460-5 Medium Oil and tempera on panel cyf
23262  
Virgin and Child (nn03), Dieric Bouts
  		 Virgin and Child (nn03)   c 1460-5 Oil on Tempera on panel 27.9 x 24.1 cm 11 x 9 1/2 in Private collection
81968  
Virgin Penrhyn Castle, Dieric Bouts
  		 Virgin Penrhyn Castle   Oil and tempera transferred from panel to canvas in 1899 cyf
Dieric Bouts
1420-1475 Flemish Dieric Bouts Locations Dirk Bouts whose real name was Theodorik Romboutszoon, was probably born in Haarlem, where he may have studied under the painter Albert van Ouwater. Sometime before 1450 Bouts took up residence in the Flemish city of Louvain. His name appeared in the records of Louvain in 1457 and again in 1468, when he was appointed "city painter." It is likely that Bouts spent some time in Bruges, as his earliest work, the Infancy Altarpiece shows the distinct and strong influence of Petrus Christus, the leading master of that city after the death of Jan van Eyck. The slightly later Deposition Altarpiece (ca. 1450) displays strong connections with the style of Rogier van der Weyden in both the figure types and the composition. About 1460, the period of the Entombment in London, the early, formative influence of Petrus Christus had been almost totally displaced by that of Rogier, though Bouts personal vision began to emerge in the fluid and continuous landscape background. The great Last Supper Altarpiece (1464-1467) marks the high point of Bouts career. In this solemn and dignified masterpiece the painter achieved spiritual grandeur in the context of convincing physical reality. The central panel of the altarpiece is the most emphatically significant treatment of the theme of the Last Supper in Northern European art. The wings, which contain Old Testament prefigurations of the central theme, are freer and more loosely organized. Eschewing the symmetry and rigid axial construction of the main panel, Bouts produced rhythmic foreground compositions in combination with fluid and dramatic spatial recessions. In 1468 Bouts was commissioned to paint four panels on the subject of justice for the Town Hall of Louvain. At the painter death in 1475 only two of the paintings had been completed; they are among the most remarkable productions of his career. The unusual subjects, taken from the chronicles of a 12th-century historian, concern the wrongful execution by Emperor Otto III of one of his counts and the subsequent vindication of the nobleman by his wife. The finer of the panels represents the dramatic trial by fire which the wife was obliged to undergo to prove her husband innocence. Rich draperies and sumptuous colors are applied to tall angular forms to create a work of rare formal elegance and high decorative appeal. In order to dignify the event, however, the artist has employed restrained gestures and expressions as well as a completely rationalized spatial setting. As in the Last Supper Altarpiece, a sense of solemn and hieratic importance is expressed by means of an austere and rigid geometry in the construction of both persons and places. The late productions of Bouts workshop, such as the well-known Pearl of Brabant Altarpiece, are characterized by the close collaboration of the painter two sons, Dirk the Younger (1448-1491) and Aelbrecht (1455/1460-1549). In the paintings of his less gifted sons, the master distinctive figure style was appreciably altered, though Dirk the Younger appears to have retained much of his father sensitivity to the landscape. In addition to his innovations in the depiction of landscape, Bouts made a substantial contribution to the development of the portrait. His Portrait of a Man (1462) localizes the sitter in an enlarged architectural setting while permitting the interior space to merge with the exterior through an open window. For the first time in Northern painting a common bond was forged between a particularized individual and the universal world of nature.



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